- #Whats the latest version of u he hive for mac
- #Whats the latest version of u he hive mod
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If you set both the main oscillator and the sub oscillator at the same pitch, they will have a 90-degree phase offset, regardless of the current phase setting (reset, random, flow) with exception of “like Osc”, which is synced to the phase of the main oscillator.
#Whats the latest version of u he hive mod
Also, there are hidden Oscillator Tune parameters in the Mod Matrix, even though there are discrete tuning controls for Octaves and Semitones in the Master Oscillator section, with additional controls for Vibrato (linked to an independent Vibrato LFO) Detune, Volume, Pan, Width for unison voices, and also Volume and Semitone controls for a dedicated Sub Oscillator, which has exactly the same waveforms and noise sounds I catalogued earlier, not including “like Osc”, which will inherit the waveform and unison settings in the main oscillator. The oscillators themselves are pretty simple, as they were meant to be, with seven basic waveforms: sine, saw, triangle, pulse (with a hidden Pulse Width parameter in the Mod Matrix) square, half, narrow, and two standard variants of noise: white (bright) and pink (dark). Now, you can select anywhere between sixteen unison voices per oscillator, and as I explained earlier in my description of the three synthesis engines, the spacing between unison voices can be random, uniform or exponential. Obviously, the first thing that jumps out at you is that unison has been handled in a very different way than the “stacked” voicings (single, dual, quad, eleven) within Zebra. So yeah, there’s actually a lot going on behind the scenes. In Clean mode, oscillator detune is slightly wider, envelopes have linear attack and exponential decay and release, and the filters are linear (non-distorting) “state variable” models with no oversampling.
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In Dirty mode, oscillator detune becomes evenly spaced, envelope stages are exponential, and filters are oversampled, self-oscillating “diode ring” models with very unpredictable and highly nonlinear resonance.
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In Normal mode, oscillator detune becomes exponential, envelopes have “s-shaped” attack and short decay, and the filters are oversampled, self-oscillating “ladder” models with nonlinear resonance. The first thing that flew over my head: the single-page interface, which wasn’t so obvious at first because it’s not really something you need to look for… and that’s pretty much the whole point! Everything you need (with exception of the Mod Matrix and the Arp/Sequencer and Effects pages in the Hexagon display) has been laid out in a gorgeous single-page user interface that allows for the same kind of unencumbered workflow that people enjoy when working with hardware analog synths.Īnother thing you might overlook is that Hive has three synthesis engines (Normal, Dirty and Clean) that affect Hive’s architecture in ways that totally change its sonic character. Now that I’ve had a chance to spend a little more time with Hive, it has actually become one of my all-time favorite synths for reasons I couldn’t appreciate three years ago. Plus, I had spent so much time in Zebra that I had developed a nasty habit of holding other instruments to its unrealistically high standard of flexibility. That being said, I wasn’t the same synthesist three years ago that I am today. I wasn’t blown away with Hive when I first tested the beta version three years ago. Check here.When U-He dropped a public beta version of its streamlined, workflow-efficient subtractive synth Hive back in 2014, the excitement for a completely new plugin from U-He was at a fever pitch, even though my enthusiasm for Hive was subdued by my love affair with Zebra 2 and, of course, anticipation for Zebra 3, which is still very much a factor in my life. If your platform isn't listed, it may no longer be supported. Skype for Amazon Fire HD tablet version 8.15.0.395 Skype for Amazon Kindle Fire HD/HDX version 8.78.0.164
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#Whats the latest version of u he hive windows
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#Whats the latest version of u he hive for mac
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